Fluchtdistanz, 2016
How to disappear. Portraits of humans who (dis)like being photographed.



Escher's Garden, 2015
Published in Grey Magzine #15

A landscape, organic yet strange. Shapes as if drawn with a ruler, far from any natural structure. As the focus shifts, the landscape changes. Created in memory of the dutch graphic artist M.C. Escher, famous for his work with optical illusions, platonic solids and endless patterns, often based on the shape of the triangle.



(K)ein Ticket nach Tokio, 2015

Somewhere in Japan or maybe somewhere else.



Like Ghosts, 2014
36 pages, digital print, 15x20cm
edition of 60, self-published

In the pre-digital age the paper negatives that came with peel-apart instant film used to be nothing but trash. While being necessary for processing the image, their opaque flipside made it impossible to put them in an enlarger like a regular film negative. What was left after glancing at the modern miracle of instant film were thin white sheets of paper with no further use.


Goor, 2016
24 pages, digital print, 22x16 cm, edition of 5, self-published

„It started back in 2010 with Dirk Serries’ project Microphonics. I had met Dirk Serries a couple of times before, and he told me he had done some shows in living rooms. At that point, I thought “Wow, how cool is that, having an artist playing at your home! Could I do something like this?...“



Life In A Hole, 2015
28 pages, digital print, 15x20cm
edition of 80, self-published

Another year spent in crummy clubs, squatted houses and poorly lit basements. Slowly drifting away from the routines I used to follow. Those on stage seem just as lost as I feel. While everything falls apart, the camera remains my last resort and safe place. It's a life in a hole, and I have yet to reach the bottom.



Blinded By The Dark, 2013
28 pages,digital print, 15x20cm
edition of 50, signed & numbered

"What My Bloody Valentine do with reverb she does with her camera: create a wide, open room filled with blurry atmosphere."