Fear OF The Monolith, 2018

36 pages, digital print, 13x18 cm, open edition, self-published

Tracing the connections between brutalism and the alien architecture of H.P. Lovecraft, using found footage, strange maps and blurry childhood memories.                

 
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Goor, 2016

24 pages, digital print, 22x16 cm, edition of 5, self-published

„It started back in 2010 with Dirk Serries’ project Microphonics. I had met Dirk Serries a couple of times before, and he told me he had done some shows in living rooms. At that point, I thought “Wow, how cool is that, having an artist playing at your home! Could I do something like this? The idea somewhat moved to the back of my mind until the next time I met Dirk at one of his shows...“

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Like Ghosts, 2014

36 pages, digital print, 15x20cm
edition of 60, self-published

In the pre-digital age the paper negatives that came with peel-apart instant film used to be nothing but trash. While being necessary for processing the image, their opaque flipside made it impossible to put them in an enlarger like a regular film negative. What was left after glancing at the modern miracle of instant film were thin white sheets of paper with no further use.

NEIN, 2017/2018

60 pages, newspaper format, edition of 20, self-published

“In the mid-nineties, I joined a weird cult, mostly made up of people who say „NEIN“ quite a lot.” Newspaper photobook by Flint Stelter, who raided his archive of 90ies straight edge hardcore photos and to which I contributed some from my own archive.

 
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Life In A Hole, 2015

28 pages, digital print, 15x20cm
edition of 80, self-published

Another year spent in crummy clubs, squatted houses and poorly lit basements. Slowly drifting away from the routines I used to follow. Those on stage seem just as lost as I feel. While everything falls apart, the camera remains my last resort and safe place. It's a life in a hole, and I have yet to reach the bottom.

 
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Blinded By The Dark, 2013

28 pages,digital print, 15x20cm
edition of 50, self-published

"What My Bloody Valentine do with reverb she does with her camera: create a wide, open room filled with blurry atmosphere."

Zum Metzger muss man geboren sein, 2017

52 pages, digital print, 20x24 cm, edition of 8, self-published

„He was such a nice guy.“ „ I never thought something so awful would happen in our town.“ These are the typical quotes we hear whenever a serious crime is shown on the news. We all know there are bad people out there, we just don‘t expect them to live next door. It is a disturbing feeling to realize one has been fooled by a friendly facade. The betrayal, however, is always twofold...

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Phenomena, 2014

28 pages, digital print, 15x20cm
edition of 80, self-published

Another year spent in crummy clubs, squatted houses and poorly lit basements. Slowly drifting away from the routines I used to follow. Those on stage seem just as lost as I feel. While everything falls apart, the camera remains my last resort and safe place. It's a life in a hole, and I have yet to reach the bottom.

 
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